{"id":3582,"date":"2024-12-12T16:16:46","date_gmt":"2024-12-12T16:16:46","guid":{"rendered":"https:\/\/makowski.info\/?p=3582"},"modified":"2024-12-21T16:07:11","modified_gmt":"2024-12-21T16:07:11","slug":"trzy-duze-obrazy-laudanum-dla-ludu-3","status":"publish","type":"post","link":"https:\/\/makowski.info\/?p=3582","title":{"rendered":"Trzy du\u017ce obrazy: laudanum dla ludu\u2026 (3)"},"content":{"rendered":"\n

Trzeci z tych du\u017cych<\/a><\/strong>, podobne wymiary (ok. 1,20 x 1,50) \u2013 ju\u017c oprawiony w czarn\u0105, prost\u0105 ram\u0119, pewnie w galerii Zderzak<\/a><\/strong>, by\u0142 tam czas jaki\u015b. Tytu\u0142? \u201eTu potens Trivia\u201d, 2003 r. z \u201eHymnu do Diany<\/a><\/strong>\u201d Katullusa, prosta zagadka (to \u017cart: u\u017cy\u0142em wyszukiwarki ;). Obraz te\u017c pot\u0119\u017cny.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n
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Ale\u2026 Ju\u017c pisa\u0142em<\/a><\/strong>: co tu opisywa\u0107? Pi\u0119kny, ciesz\u0119 si\u0119, \u017ce go mam, wszystkie trzy, ca\u0142y ten jakby tryptyk<\/a><\/strong>. Ciekawe: one, te p\u00f3\u017ane obrazy s\u0105 \u2013 poza modelunkiem g\u0142\u00f3w \u2013 p\u0142askie, nie ma cz\u0119stej w latach 70. przestrzeni, perspektyw<\/a><\/strong>. To powr\u00f3t do lat 60<\/a><\/strong>.? Tak s\u0105dz\u0119. Wzbogacony (czy uproszczony, powie kto\u015b).<\/p>\n<\/div>

\"\"<\/figure><\/div>\n\n\n\n

I tyle ja. Pos\u0142uchajmy innych, wiedz\u0105 lepiej i wi\u0119cej.<\/p>\n\n\n\n

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Jak ta przepi\u0119kna praca zatytu\u0142owana \u201eTu potens Trivia\u201d, kt\u00f3r\u0105 podes\u0142a\u0142 mi Janek<\/em> (Michalski<\/a><\/strong>, galeria Zderzak \u2013 mr m.). \u201eTo portret Lizzie Siddal<\/s>,<\/em> <\/em>(nie: p. SPROSTOWANIE<\/strong> ni\u017cej \u2013 mr m.)<\/mark> kochanki Rossettiego \u2013 napisa\u0142 w komentarzu. \u2013 Kiedy si\u0119 otru\u0142a, w\u0142o\u017cy\u0142 do trumny r\u0119kopis jej wierszy, ale po paru latach \u017cal mu si\u0119 zrobi\u0142o i kaza\u0142 j\u0105 ekshumowa\u0107, \u017ceby je wyj\u0105\u0107. Zbyszek opowiada\u0142 mi to z wielkim upodobaniem. Lubi\u0142 tematy artystowskie i niesamowito\u015bci. (…) Lizzie patrzy wi\u0119c zza grobu, nieziemskim \u015bwiat\u0142em o\u015bwietlona, wyzywaj\u0105ca i dumna, kobieta wyzwolona. Otru\u0142a si\u0119 laudanum, a jej kochanek p\u00f3\u017aniej te\u017c si\u0119 nim tru\u0107 pr\u00f3bowa\u0142, ale nie sprosta\u0142. <\/em>
Okazuje si\u0119 by\u0107 Hekate, Tr\u00f3jdro\u017cn\u0105, Pani\u0105 Rozstaj\u00f3w, patronk\u0105 Zbyszka. Kt\u00f3ry rozstajami bardzo si\u0119 interesowa\u0142 i duszy dziewcz\u0119cej stale potrzebowa\u0142\u201d.<\/em><\/p>\n<\/blockquote>\n\n\n\n

Cytat z artyku\u0142u, laudacji czy raczej lamentu Wojciecha Bonowicza \u201eSen w obecno\u015bci rozumu<\/a><\/strong>\u201d (2019) napisanego po \u015bmierci Zbigniewa; gdzie wi\u0119cej tych\u2026 No: niesamowitych (nazwijmy je nazbyt \u0142agodnie) opowie\u015bci.
A bo to bajki s\u0105, m\u00f3j ojciec umia\u0142 uwodzi\u0107, zwodzi\u0107 s\u0142uchaczy, wierzyli mu \u015bwi\u0119cie. 
Kulty nie trawi\u0105 w\u0105tpliwo\u015bci. Te\u017c ironii. A ju\u017c fakty\u2026<\/p>\n\n\n\n

Takie czasy: niewiedza i niedostatki weryfikacji \u2013 sprzyjaj\u0105 czarownikom. Nawet, gdy wielcy (niekt\u00f3rzy) w innych dzie\u0142ach. \u201eAle my go cenimy za inne rzeczy\u2026\u201d lubi\u0142 powtarza\u0107 (nie wiedzie\u0107 czemu po rosyjsku) tamten wielki malarz Zbigniew.\u00a0<\/em>Odnie\u015bmy to wi\u0119c do niego<\/em>.<\/mark> (Te\u017c stylizacja: jest jego zdanie, prawie takie, w katalogu\u00a0wystawy w Zach\u0119cie<\/strong><\/a>, 1966 rok, nie wymy\u015bl\u0119 nowego, taplam si\u0119 w zastanych formach.)
A wi\u0119c.
Tak: wielce go cenimy za p\u00f3\u017ane obrazy i nie tylko.
Tak: nieustaj\u0105co wyszukiwa\u0107, wytyka\u0107 i nawet wy\u015bmiewa\u0107 b\u0119dziemy jego mitologie. Jego autokreacje: gdy nieprawdziwe, p\u00f3\u0142-prawdziwe czy ahistoryczne. Lub tylko napuszone.
Cz\u0142owiek vs. artysta, znamy<\/a><\/strong>. Cz\u0142owiek szkodzi arty\u015bcie.
\u2026
Komponowa\u0142 sw\u00f3j \u017cyciorys jak obrazy. Nierealizm<\/a><\/strong>, prosz\u0119 pa\u0144stwa. Jak w tym samym katalogu dla Zach\u0119ty (1966), zdanie, ju\u017c cytat, nie stylizacja; nieco tylko skr\u00f3cone:
Wolno<\/em><\/strong><\/mark><\/a>\u00a0(\u2026) wszystko. Istnieje jednak kryterium\u00a0 s k u t e c z n o \u015b c i.\u00a0<\/mark><\/em>
Przyzwolenie: pozwala\u0142 sobie. Osi\u0105ga\u0142. Czego\u015b ich jednak uczono na tych szkoleniach z propagandy marksizmu: cho\u0107by retoryki, sam pisa\u0142<\/a><\/strong>. A on by\u0142 pilnym, wzorowym uczniem, zawsze. Spo\u0142eczny realizm: jak wybi\u0107 si\u0119 na nieprzeci\u0119tno\u015b\u0107<\/a><\/strong>.
\u2026
Ach i Lizzie (w\u0142a\u015bciwie Elisabeth) Sidal\u2026 Z tym laudanum<\/a><\/strong> te\u017c do\u015b\u0107 skomplikowane: wystarczy wikipedia<\/a><\/strong>: wiedza, tak \u0142atwo dzi\u015b dost\u0119pna.<\/p>\n\n\n\n

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It was thought that she suffered from tuberculosis, but some historians believe an intestinal disorder was more likely. Elbert Hubbard<\/strong><\/a> wrote that \u201eShe suffered much from neuralgia, and the laudanum<\/strong><\/a> taken to relieve the pain had grown into a necessity.\u201d Others suggest that she may have been anorexic or that her poor health was due to laudanum addiction or a combination of ailments. (\u2026) 
Upon returning home from teaching, Rossetti found Siddal unconscious in bed and could not revive her. The first doctor Rossetti called claimed that he was unable to save her, upon which Rossetti sent for another three doctors. A stomach pump was used, but to no avail. (\u2026)
Her obituary noted that she \u201ehad expressed no wish to die, but quite the reverse. Indeed she contemplated going out of town in a day or two, and had ordered a new mantle which she intended to wear on the occasion.\u201d 
The coroner ruled her death as accidental; however, there are suggestions that Rossetti found a suicide note\u2026<\/p>\n<\/blockquote>\n\n\n\n

Ale mo\u017ce to i samob\u00f3jstwo, p\u0142ukanie \u017co\u0142\u0105dka jest tak ma\u0142o artystowskie<\/em>.
\u017barty, prze\u015bmiewcze przekomarzanki. Nie mog\u0119 si\u0119 powstrzyma\u0107. (Dlaczego?)<\/p>\n\n\n\n

Ale gdyby kto chcia\u0142 g\u0142\u0119biej te groby z mitami rozkopywa\u0107: polecam \u2013 Stefania Arcara<\/a><\/strong> \u201eSleep and Liberation: the Opiate World of Elizabeth Siddal\u201d (2014)1<\/a><\/sup>, artyku\u0142 w publikacji zbiorowej, po\u015bwi\u0119conej figurom<\/em> (tak trzeba dzi\u015b pisa\u0107?) \u015api\u0105cych Pi\u0119kno\u015bci, legendom \u017cywym do dzi\u015b jak wida\u0107.<\/p>\n\n\n\n

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The aim of this essay is twofold: it will attempt to deconstruct the stereotypical image of Siddal as a Pre-Raphaelite Sleeping Beauty produced by the Rossettian aesthetic ideology and perpetuated to this day in high and popular culture.<\/em><\/p>\n<\/blockquote>\n\n\n\n

Pani Stefania te\u017c walczy z mitami, chce. Nie wr\u00f3\u017c\u0119 powodzenia: masowy czytelnik lubi, nawet woli ba\u015bnie i legendy. (\u201eT\u0142um sta\u0142 si\u0119 nagle widoczny, zaj\u0105\u0142 w spo\u0142ecze\u0144stwie miejsce uprzywilejowane\u2026\u201d2<\/a><\/sup> \u2013 napisze jeszcze w 1930 roku Jos\u00e9 Ortega y Gasset<\/a><\/strong>; i s\u0142usznie napisze, cho\u0107 to dzi\u015b ju\u017c bana\u0142. Czy dogmat. Czy co.) A celebryci to laudanum dla ludu.<\/p>\n\n\n\n

Ach, dodajmy, skoro a\u017c tak zaanga\u017cowali\u015bmy si\u0119 ws. u\u017cywek: sam termin \u201elaudanum\u201d to skr\u00f3t, nazwa dla licznych \u2013 a w tym i przyrz\u0105dzanych domowymi sposobami3<\/a><\/sup> \u2013 mieszanek, o r\u00f3\u017cnym sk\u0142adzie (i szkodliwo\u015bci), oczywi\u015bcie z opium<\/a><\/strong>, nie zawsze dobrze oczyszczonym4<\/a><\/sup>; ale te\u017c z alkoholem, czasem miodem (by zabi\u0107 gorzki smak), go\u017adzikami, niekiedy pono\u0107 i z haszyszem\u2026 (Ech, \u0142za si\u0119 w oku kr\u0119ci ;)<\/p>\n\n\n\n

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Oryginalny przepis na laudanum, opracowany przez Thomasa Syndenhama<\/a><\/strong>:
sherry \u2013 1 p\u00f3\u0142kwarta
opium \u2013 2 uncje
szafran \u2013 1 uncja
cynamon \u2013 1 uncja w proszku
go\u017adziki \u2013 1 uncja w proszku
miesza\u0107 i gotowa\u0107 powoli w \u0142a\u017ani wodnej przez 2\u20133 dni, a\u017c tynktura osi\u0105gnie odpowiedni\u0105 konsystencj\u0119<\/em>
(wikipedia<\/a><\/strong>)<\/p>\n<\/div><\/div>\n<\/blockquote>\n\n\n\n

Wr\u00f3\u0107my do Zbigniewa. Jest p\u00f3\u017aniejsza (2012) \u201eksi\u0105\u017cka\u201d (to zeszyty s\u0105, te p\u00f3\u017ane, oprawa sznurkiem) Zbigniewa \u201eTu potens Trivia<\/a><\/strong>\u201d, dzi\u015b w zbiorach Biblioteki Narodowej. Tam te\u017c nieco, sporo nawet zapisanych mitologii. Ot, taki detal, czytelny dla nielicznych, zacytujmy Zbigniewa:<\/p>\n\n\n\n

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(\u2026) w grudniu 1968 Alfred Bader dedykowa\u0142 mi tekst (napisany z W. PASINI\u2019M), gdzie przeczyta\u0142em\u2026<\/em><\/p>\n\u201eTu potens Trivia<\/a><\/strong>\u201d<\/cite><\/blockquote>\n\n\n\n

Przekomiczne to \u201ededykowa\u0142\u201d – gdy poznasz publikacj\u01195<\/a><\/sup> + okoliczno\u015bci + opowie\u015bci inne ZbM o tym i dooko\u0142a + (\u2026). Nie poznasz, do bibliotek w Szwajcarii daleko \u2013 a tu zosta\u0142y (p. wy\u017c.) tylko relacje garstki jego najwierniejszych wyznawc\u00f3w. No i artyku\u0142 nie z 1968, a z 1965. Detal, zostawmy. Rysunki genialne i tyle.<\/p>\n\n\n\n

\"\"<\/figure>
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Ach, zapomnia\u0142bym: na obrazie znajdujemy cie\u0144 kogo\u015b, profil nienamalowany. Mo\u017ce i p\u00f3\u017aniej wymazany, kto wie? Za to w wa\u017cnym (Karl Koch<\/a><\/strong>, zn\u00f3w\u2026) prawym g\u00f3rnym rogu. Nie ma, bo by\u0142oby za bogato? Mo\u017ce. Mo\u017ce niedopowiedzenie tylko.
(By\u0142 tam aby Rossetti? Albo i Zbigniew: autoportret, jak u Vel\u00e1zqueza, \u201eLas meninas<\/a><\/strong>\u201d, to chyba \u017cart; chyba. Albo intuicja: ZbM jako Rossetti \u2013 i odwrotnie.)
Dobra: wymazany, nie ma. Ot, takie p\u0142ukanie<\/em> formy, do czysto\u015bci.
Moja wizja.
mr m.<\/p>\n<\/div><\/div>\n\n\n\n

SPROSTOWANIE<\/strong>:<\/mark>
\u2026nades\u0142ane w\u0142a\u015bnie (14 XII 2024):
\u201e(\u2026) wydaje mi si\u0119 jednak, \u017ce ta dziewczyna z TU POTENS TRIVIA, to Annette Giacometti<\/a><\/strong>\u2026\u201d.
TAK.
Ot, i taka ta nasza (tylko?) krytyka artystyczna (lub Zbigniew?): ba\u015bnie, legendy, fantazje i zwyk\u0142e pomy\u0142ki. Mnie te\u017c nie pasowa\u0142a \u2013<\/em> za \u0142adna. Ale nie sprawdzi\u0142em, moja wina. Tym bardziej, \u017ce Anette pojawia si\u0119 i na innych rysunkach ZbM.
mr m.<\/p>\n\n\n\n

\"\"<\/a>
Annette<\/a><\/strong> and Alberto Giacometti in the studio (1951), Alexander Liberman. \u00a9 Archives Fondation Giacometti<\/a><\/strong><\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/figure>\n\n\n\n

PRZYPISY:<\/p>\n\n\n

  1. Since the time of her death in 1862, historians, biographers and art critics have constructed a romanticized image of Siddal as the muse inspiring the masculine creative genius and have fabricated the legend of a weak, victimized woman who died young with a broken heart.\u00a0(\u2026) The only self-portrait she painted<\/a><\/strong>, an oil from 1853-4, ofers a representation of herself that is clearly discordant with the Rossettian images known to the public: her open eyes gaze directly at the viewer with a look of stern reserve and no trace of seduction. She does not appear as beautiful as in her husband\u2019s portrayals of her, but very alert and in control, the antithesis of a Victorian Sleeping Beauty. Significantly, William Michael Rossetti <\/em>(jej szwagier \u2013 mr m.) commented on the painting that it was \u201eher very self\u201d.<\/em>

    \u201e    Sleep and Liberation: the Opiate World of Elizabeth Siddal<\/a><\/strong>\u201d, w: B. Laurent (red.) \u201eSleeping Beauties in Victorian Britain: Cultural, Literary and Artistic Explorations of a Myth\u201d (2014) \u21a9\ufe0e<\/a><\/li>
  2. \u201eBunt mas\u201d wyd. MUZA (2002), t\u0142um. Piotr Niklewicz \u21a9\ufe0e<\/a><\/li>
  3. Recipes for laudanum<\/em> in receipt books therefore reflect the experimental nature of laudanum<\/em> at this stage of its development. There was no standardised recipe; rather laudanum<\/em> referred to opium (or, occasionally, henbane) that had been processed using pharmaceutical methods designed to remove the poisonous element. It is possible that housewives created their own versions of laudanum<\/em> <\/strong>to save on costs (as Bretnor advised physicians to do).

    Elizabeth K. Hunter     \u201eTo Cause Sleepe Safe and Shure\u201d: Dangerous Substances, Sleep Medicine and Poison Theories in Early Modern England<\/a> <\/strong>(2021) \u21a9\ufe0e<\/a><\/li>
  4. Klaudia Ka\u0142wa, \u201eJak w wyniku proces\u00f3w przetw\u00f3rstwa nasion maku lekarskiego mo\u017cna zmniejszy\u0107 zawarto\u015b\u0107 alkaloid\u00f3w opium: morfiny i kodeiny?<\/a><\/strong>\u201d (2022) \u21a9\ufe0e<\/a><\/li>
  5. Bader A., Pasini W. \u201eApropos of the schizoid aspects of certain contemporary art<\/a><\/strong>\u201d (1965); Confinia psychiatrica. Borderland of psychiatry. Grenzgebiete der Psychiatrie. Les Confins de la Psychiatrie \u21a9\ufe0e<\/a><\/li><\/ol>\n\n\n

    <\/p>\n\n\n\n

    <\/p>\n","protected":false},"excerpt":{"rendered":"

    Trzeci z tych du\u017cych, podobne wymiary (ok. 1,20 x 1,50) \u2013 ju\u017c oprawiony w czarn\u0105, prost\u0105 ram\u0119, pewnie w galerii Zderzak, by\u0142 tam czas jaki\u015b. Tytu\u0142? \u201eTu potens Trivia\u201d, 2003 r. z \u201eHymnu do Diany\u201d Katullusa, prosta zagadka (to \u017cart: u\u017cy\u0142em wyszukiwarki ;). Obraz te\u017c pot\u0119\u017cny. Ale\u2026 Ju\u017c pisa\u0142em: co tu opisywa\u0107? Pi\u0119kny, ciesz\u0119 si\u0119, \u017ce […]<\/p>\n","protected":false},"author":1,"featured_media":3616,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"[{\"content\":\"Since the time of her death in 1862, historians, biographers and art critics have constructed a romanticized image of Siddal as the muse inspiring the masculine creative genius and have fabricated the legend of a weak, victimized woman who died young with a broken heart.\u00a0(\u2026) The only self-portrait she painted<\/a><\/strong>, an oil from 1853-4, ofers a representation of herself that is clearly discordant with the Rossettian images known to the public: her open eyes gaze directly at the viewer with a look of stern reserve and no trace of seduction. She does not appear as beautiful as in her husband\u2019s portrayals of her, but very alert and in control, the antithesis of a Victorian Sleeping Beauty. Significantly, William Michael Rossetti <\/em>(jej szwagier \u2013 mr m.) commented on the painting that it was \u201eher very self\u201d.<\/em>

    \u201e    Sleep and Liberation: the Opiate World of Elizabeth Siddal<\/a><\/strong>\u201d, w: B. Laurent (red.) \u201eSleeping Beauties in Victorian Britain: Cultural, Literary and Artistic Explorations of a Myth\u201d (2014)\",\"id\":\"f2adea75-57d6-479e-99c0-7d69e9013102\"},{\"content\":\"\u201eBunt mas\u201d wyd. MUZA (2002), t\u0142um. Piotr Niklewicz\",\"id\":\"e8c6254d-71db-46aa-ac4e-aebbc8e5b71f\"},{\"content\":\"Recipes for laudanum<\/em> in receipt books therefore reflect the experimental nature of laudanum<\/em> at this stage of its development. There was no standardised recipe; rather laudanum<\/em> referred to opium (or, occasionally, henbane) that had been processed using pharmaceutical methods designed to remove the poisonous element. It is possible that housewives created their own versions of laudanum<\/em> <\/strong>to save on costs (as Bretnor advised physicians to do).

    Elizabeth K. Hunter     \u201eTo Cause Sleepe Safe and Shure\u201d: Dangerous Substances, Sleep Medicine and Poison Theories in Early Modern England<\/a> <\/strong>(2021)\",\"id\":\"cfb9132f-d042-452f-90e7-99857b78c60e\"},{\"content\":\"Klaudia Ka\u0142wa, \u201eJak w wyniku proces\u00f3w przetw\u00f3rstwa nasion maku lekarskiego mo\u017cna zmniejszy\u0107 zawarto\u015b\u0107 alkaloid\u00f3w opium: morfiny i kodeiny?<\/a><\/strong>\u201d (2022)\",\"id\":\"d2c634e6-2d34-4c15-bae4-3c5688fb0246\"},{\"content\":\"Bader A., Pasini W. \u201eApropos of the schizoid aspects of certain contemporary art<\/a><\/strong>\u201d (1965); Confinia psychiatrica. Borderland of psychiatry. Grenzgebiete der Psychiatrie. Les Confins de la Psychiatrie \",\"id\":\"de1c9ad7-d37e-4315-993b-b120eded535e\"}]"},"categories":[4,3],"tags":[777,838,682,837,835,823,818,824,820,814,357,834,332,815,126,836,832,83,819,817,211,830,828,829,816,831,415,822,826,827,825,821,833,683,209,544,64,358],"class_list":["post-3582","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-books","category-malarstwo","tag-777","tag-alberto-giacometti","tag-alfred-bader","tag-annette-giacometti","tag-bunt-mas","tag-contemporary-art","tag-d-g-rossetti","tag-elisabeth-sidal","tag-hekate","tag-hymn-do-diany","tag-jan-michalski","tag-jose-ortega-y-gasset","tag-karl-koch","tag-katullus","tag-ksiazka-artystyczna","tag-kultura-masowa","tag-las-meninas","tag-lata-60","tag-laudanum","tag-lizzie-siddal","tag-mitologie","tag-opiaty","tag-opium","tag-opium-addiction","tag-perspektywa","tag-plukanie-zoladka","tag-przestrzen","tag-schizoid-art","tag-sleeping-beauties","tag-spiace-pieknosci","tag-stefania-arcara","tag-trojdrozna-bogini","tag-velazquez","tag-w-a-pasini","tag-wojciech-bonowicz","tag-zacheta","tag-zbigniew-makowski","tag-zderzak"],"_links":{"self":[{"href":"https:\/\/makowski.info\/index.php?rest_route=\/wp\/v2\/posts\/3582","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/makowski.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/makowski.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/makowski.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/makowski.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3582"}],"version-history":[{"count":139,"href":"https:\/\/makowski.info\/index.php?rest_route=\/wp\/v2\/posts\/3582\/revisions"}],"predecessor-version":[{"id":3753,"href":"https:\/\/makowski.info\/index.php?rest_route=\/wp\/v2\/posts\/3582\/revisions\/3753"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/makowski.info\/index.php?rest_route=\/wp\/v2\/media\/3616"}],"wp:attachment":[{"href":"https:\/\/makowski.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3582"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/makowski.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3582"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/makowski.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}